a futuristic acid ep with 9os uk breakbeat and deep space electro references. enter the wormh0le. played by jane fitz and xdb.

eine exquisite und akribische auswahl an underground -techno-pop- bands, die in den 80ern in den usa entstanden sind. jeder dieser acts gilt als kult, obwohl einige sogar nur eine ep oder eine single, ein demo-tape editierten oder nur auf compilations erschienen sind.

4 great techno tracks, ran an speck!!

gatefold with 2 x printed inner sleeves

repress - without fullcover - none other than tensnake is the host of phillip lauers album debuts (aptly titled phillips and soon available in all formats including gatefold double vinyl) inauguration party. delivering not one but two remixes and a barrel of laughs, hamburgs happy man smears thick red lipstick on lauers bittersweet trainmann symphony. his franceman mix does exactly what it says on the tin. a long intro gets rouled up into a fierce dancing school contest. speaking of nomen that are omen, youll find the tranceman mix on the flip side going the whole nine yards: marimba magic, hard trance breaks, deked drum rolls and early morning glory moments. its impossible to defang that snake.

the 1986 album by american folk singer / songwriter loudon wainwright iii back on clear 180 gram vinyl.

techno double header with -d-bridge, paleman, cadans, roberto, ben sims, tasha & kamikaze space programme, roberto & yelhsa, reflec

new solo album from nine inch nails keyboardist alessandro cortini. limited transparent turquoise vinyl with download code included.

the 1972 album from brazilian genius caetano veloso is back on limited 180 gram vinyl.

feat. jovonnte

doug lee returns to the label under his an-i moniker, this time collaborating with prolific greek producer unhuman on a new four track ep

a malicious statement of intent from pact infernals altar label, mors omnibus i is an assemblage of amenable architects of dread summoned together to create a collection of ominous rhythmic rituals.

audiophile vinyl release of the new album from toronto based band monkey house. (hi-res recording, half-speed mastered, dmm, 45rpm, 180g virgin vinyl)

a surprise compilation for wim wenders to his birthday 2015. limited and numbered triple vinyl in gold embossed triple gatefold sleeve.

led by the light of imagination, son swagga creates a musical realm of magic and wonder. the nine-headed kinship tells tales of warring tribes, forces of nature and cosmic sorcery.

reissue of the 1962 johnny cash album on 180 gram vinyl.

placebo are still brimming with new ideas. recorded over three months by producer dave bottrill (chosen by the band largely because of his work with tool) in his toronto studio and mixed in london by my bloody valentine, smashing pumpkins and nine inch nails supremo alan moulder, placebos sixth album is a startling, alive, vital and boundary vaulting record that marks a whole new era for a band that were in need of a change.

1per customer , repress from the debut album from slovenian act videosex. while little known outside of the former yugoslavia, videosex’s self-titled debut album from 1984 sold in significant numbers, making superstars of the young slovenian musicians responsible for making it. the set not only helped turn yugoslavian teenagers on to the possibilities of western-style electronic pop, but also inspired them via satirical, often explicit lyrics. their debut performance at the novi rock festival in ljubljana lead to an immediate contract offer from slovenia’s biggest record label. it wasn’t long before the band were holed up in studio top ten in ljiublana recording what would become their debut album. they effectively moved in to the studio for days and weeks on end, clocking up well over 200 hours of recording time in which they mixed experimentation with a desire to polish each song to perfection. the result is their first album which includes nine songs touching a variety of sexually charged subjects including erotica, lesbianism, voyeurism and sadism.

** 2019 reissue ** lcd + pcp is a massive collaboration for this release: carl craigs label planet e is set and ready to rerelease one of the tunes produced as paperclip people, throw. the a-side on this 12 vinyl features a cover of the song by james murphy and his merry band of music makers, better known as lcd soundsystem. lcd soundsystem has been using its cover of throw in live sets for some time. guest of the 2005 lcd live performance at the el rey theater received a shocking surprise. while the band was closing out the night with an extended version of yeah. somewhere around the eight or nine minute mark, bassist tyler pope began jammin on the famous groove from throw. the crowd watched in shock and awe as the band slowly, one-by-one, joined in, morphing yeah into throw seamlessly. by the time james murphy grabbed the mic and declared in full falsetto i wanna see your haaaaaaaaaaand! everyone basically unloaded on themselves. truly a classic act for a classic track! this release will be the first time the lcd studio rendition has ever been made available on wax

spacige electrofunk styled tracks

gerd (4lux) comes with an originally released track on brave new world back in the day (1994), now available on frame of mind! black vinyl

cvr 009 tyree- follow me side a1. original mix- raw house track with stripped down jazz vocals side a2. acid mix- classic acid bassline that really appeals to that original chicago acid house sound. it s true to it s nature with 808 kick drum resonating thru the track. with small vocal stabs to bring the track to life.

downtempo with a dark twist - the 2nd v/a compilation on kump.

textures records was set up in 1996 as a sister label to aubreys solid groove label and had nine releases including aubreys second lp. don gardon originally releasesd in 1997 on textures and this is the first textures release since 2001

gerd (4lux) comes with an originally released track on brave new world back in the day (1994), now available on frame of mind!

vinyl 2 (side c/d) of john beltran’s 2016 album “everything at once”.

legends in their in their own right, talib kweli and styles p brought their veteran skillsets to the aptly titled collaborative effort, the seven. finally seeing a physical release, the seven song ep with a star studded feature/producer list including common, marco polo, oh no and rapsody is available on limited edition splatter vinyl.

pumping , chicago infected house bombs

drei isländische techno-rocker holen die harlemer clubszene in ihr heimisches studio.

the ultimate katie melua collection, featuring all the hits plus 2 new tracks. the double vinyl is housed in a gatefold sleeve.

brand new detroit duo man vs indian man comprises ian finkelstein (of scott grooves’s overdubs fame) and even haywood. complementing each other’s strengths, the pair make the perfect match as they pour out thick viscously barbed future soul in thick gooey doses, both “ice accountant” and “cloud nine” are wrapped in foggy layers of sleepy textures as the falsetto vocals and lean instrumentation cut through with dreamy delight. remixes from the legendary egyptian lover (cosmic electro), fellow detroitian pontchartrain (filtered disco house) and brazilian table daddy (lolloping dream tech).

approaching complexity is tangent’s sophomore album release for n5md, a label that has seen accomplished releases from the likes of near the parenthesis, bvdub, and loess among others. throughout its nine offerings, the record features a gorgeous contemplative piano that hangs in the air amidst static clicks and dense atmospheres. its delicate touch feels both melancholic and stirring, as exemplified on tracks “equilibrium i (ii & ii)” and “awaken.” the latter cut is a fascinating work comprised of nearly inaudible whisper-song vocals and swelling ambience, its waves a thick froth of a toppled surf underneath tickled ivory. like the rise and fall of a heavy chest, this sound leads to the track’s conclusion, an elongated departure of breath.
a similar ending can be heard on the track “redundancy” which is complemented by the official video premiering at igloo magazine. jittering frames of concrete grass animations are edited to the rhythmic snippy percussion. this is juxtaposed by images of ice cascading off a rocket launch in slow motion and vapor in reverse. see below.
at almost an hour in length tangent’s new album is their most complete sonically, never straying from its core essence. a quality release that in its nature is both bound to existence and is otherworldly in its simplistic beauty.
the orange vinyl release features 6 tracks and includes a doanload code for the full 9-track album.

domesica’s collaboration with dutch label tope tape, originally founded in the mid-80s by menko konings and recently reborn, allowed them to reissue the mythical s.m nurse album-cassette. and now – here is their first vinyl release: boyz in parx “passion”, a selection of lovely never-released tracks by this mysterious amsterdam act, active from 1983 to 1993, with the line-up of peter van garderen, founder of the legendary nine circles, and robby horsfall (†2013), also known from no honey from these e.g.

unreleased music, stored over a decade, now’s the time to get it out, whilst we’re still alive.

uk’s overlook and positive centre release their debut collaborative project, carrier, on tommy four seven’s 47 imprint.

it was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now – anthony burgess, a clockwork orange after their lps “ike yard” (also known as “a fact a second” factory america, 1982) and nord (phisteria and desire, 2010) ike yard delivers their last album “rejoy” on noiztank, 2018 as the culmination of their recent years reinvented sound. as the perpetual flag bearers of the cutting-edge post-punk spirit, the nyc- based band shows muscle in a lp fully loaded with abrasive synth pads, scrap metal percussions, and whispered vocals. following the previous criteria of “sacred machine” 2017, it is worth to remark the inclusion of external vocals in the pieces “sister m” and “beyondersay”, which feature yuki osaki and maya. the nine tracks move through different atmospheres, tensions and moods that would perfectly represent a new contemporary soundtrack of the s. kubrick film “a clockwork orange”, a major influence and source of inspiration for the group this time around.

industrial metal visionary author & punisher delivers his sixth full-length recording and relapse debut beastland. drawing inspiration from his career as a mechanical engineer, tristan shone (the creator and sole artist behind author & punisher) forged a relationship with design, sound, and fabrication that ultimately yielded his hand-built “drone machines” which mapped the journey away from traditional instrumentation towards custom made -precision machinery.- a robotic experimentation in industrial metal, noise, doom and drone, author & punisher recalls nine inch nails channeling godflesh, traversing through dark, uncompromising, and often disturbing soundscapes with occasional detours into rich melodies and splinters of light. armed with newly built “drone machines” and a new label, beastland is author & punisher’s career-defining statement and a powerful listening experience that further blurs the line between man and machine. the vinyl release includes a download code.

k.a.c.z.m.a.r.e.k”, from the title to the sounds, is intended to be a more personal project for paul ritch – indelibly closer to the confluences of sounds that he hears embodying the spirit of kaczmarek. he drives the mind’s eye deep into the inner-ear with the album’s spacious opening tracks, only to leave your head bobbing with the extraterrestrial rhythms that emerge as the main body of the album. moody and foreboding, loaded with the scattered, staccato and broken beats, more ovular than linear in composition and ranging from vaporous-ambience to hyperventilating grooves, the nine tracks on this album defy categorisation. the “k.a.c.z.m.a.r.e.k” album will give the listener a deep well to return to. the vinyl release will be a fittingly rare issue – only 100 numbered copies are going out, while digital releases will run parallel. keeping with the dark and cryptic theme of the first releases russian artist, sasha sime, is back for his third kczmrk cover design

absence seizure marks its tenth release this september, a split package comprising one original from co-founder abe duque and two from label-founder matuss. since its launch back in 2015 the new york city based absence seizure imprint, launched by abe duque and matuss has been a platform for the latters original material and across the past nine releases and picked up support from the likes of young male, sage caswell, dorian paic and eduardo de la calle amongst others. here though we see co-founder abe duque join the part to mark the labels tenth vinyl release alongside label regular julia matuss. matuss steps up with crashing hard a murky, stripped-back number fuelled by choppy bass stabs, minimal percussive bleeps and airy atmospherics . next on the package is abe duques 11-27-2016, a typically raw affair from the new york techno veteran fuelled by squelching 303 lines, robust analogue drums and dreamy arpeggios. the b side features matuss sisabuc fresh closes out the package, stripping things back even further to minute, shuffled percussion, stuttering ethereal chords and permeating sub hits which all flow in unison across its ten minute duration.

rekids regular markus suckut drops his third album entitled heaven is a state of mind this september. when not helming his own imprints, sckt and pattern research, the dusseldorf artist has been releasing on rekids since 2015 and is now a core member of the labels family. earlier this year saw the arrival of new life ep, a mesmerising release exemplary of the producer’s knack for making imaginative house and techno complete with a compelling groove. no stranger to the long player format having released two albums previously, markus suckut returns to radio slaves label with a quality nine-track album. from the word go suckuts album demonstrates his versatility as a musician, initiating with a beatless intro named escape, before breeze comes into play with its skipping percussion and loopy atmospherics. crunchy snares and crystalline synths make up suns out whilst future is not always bright drives forward with its sultry low-end, ethereal pads and sci-fi bleeps, leading into take a break and its medley of elaborate drums, living up to its name. above the clouds is comprised of intricate notes and soothing chords whilst the machinelike orchid features electro inspired melodies, contrasting to the albums title track, heaven is a state of mind, with its bumpy bass and warping textures. wonderland (version) is a ghostly acid cut which suitably closes the album

spice 1 is an undisputed west coast legend, who first hit the scene after the n.w.a. and closer to home too $hort explosion of the late 80s. as history showed, he continued that bloodline with finesse and authority. his nasal flow is menacing and strong, and fans have been consistently captivated by his hood tales since his self-titled debut in 1992. if you want thematic range with your mcs, spice isn’t that dude he is all about crime tales and the perils of ghetto life. and he attacks that storytelling sweet spot with each new cut. spice 1 boasted four singles by the time it was all said and done, and breezed to gold status on the strength of cuts like the catchy east bay gangster, the heartfelt tales and truths of welcome to the ghetto, and the thick, grooving in my neighborhood. he even produced the alcohol-themed 187 proof, another of the albums singles, and the hands-down cleverest vocal outing on the lp. sonically, the backdrops on spice 1 range from plunky, keyboard-bassline funk to deeper, fuzzy 70s samples and he sounds strong on top of both. break yourself is fueled with an electro-funk drive, 1-800 spice brings reggae flavor, and peace to my nine gets chunkier, with a well-placed p-funk one nation under a groove sample. presented here on official retail vinyl for the first time since its initial release 26 years ago, spice 1s debut holds the test of time and carries the california gangsta flag with pride. some colors just don’t fade.

rough and ready machine tracks from brazilian producer/december collaborator innsyter (la club resource). cyn002 picks up where coletivo vandalismo left off, channeling that same wild, diy bedroom studio spirit across nine individual recordings. opening with sprawling synth motifs fighting against a steady rhythm track, desintegrado sounds like an industrial dub punk trying to channel early cluster or moebius and strangely succeeding. the rest of the lp treats us to vaguely drexciyan, subaquatic electro (bries) and twisted lo-fi minimalism with bonus eerie monologue samples (superficial love). the one recurring theme on magnetic healing is innsyter s clear love for mournful, post-punk inspired melodies. it comes across loud and clear on almost every track yet never sounds tired. things eventually draw to a close with the hopelessly romantic new wave instrumental forest shaman - a short ballad for all those weary-eyed party-goers who stuck around til the sun came up!

fierce straight forward house burners by mr tophat celebrating the 10th and final krlvk release! after nine successful releases on the krlvk series of the karlovak label, mr. tophat - only one ep will be the tenth and final release on karlovak recordings (forever and ever). a sincere thanks for all the fun we had on the dancefloor!! <3

i am really proud to present this 3-tracker by victor ruiz on noir music. i think he is one of the best and most flawless techno producers right now and together we have carefully picked three tracks which perfectly showcases his production skills. i often write how i’ve worked with the artists on my labels to make their tracks reach their best potential. with victor i feel everything has been served to me on a silver platter as his productions are already perfectly crafted. although victor changed details right up until last minute, some of thesetracks also dates back 2 years, so he has had plenty of time to make everything sit and sound right. after a nine month break from releasing originals i feel truely honored that victor has chosen noir music as the label for this venture. both victor and i feel these three tracks compliment each other and at the same time showcase his skills to make great, diverse music. check the entire release. the music will speak for itself.

l.i.e.s. presents the first part of broken english club new album trilogy, white rats. following on from last years the english beach, white rats is described as, a collection of caustic and absurd portraits of the human animal. oliver ho continues to push his industrial influenced sound with metallic acid tracks, guitar noise/drone experiments and heavy synth wave once again with this nine track release. includes download card. the album sleeve features the disturbing and erotic photography of javier gallego escutia, which also comes as a poster with limited edition copies of the record. white rats part 2 and 3 will surface in 2019.

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six, twelve, nine.
thirteen, seven, eight.
three, five, five.
drinks, dive, trust.
try, think, dust
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addison groove & bim sanga present: bags inc. 4 jackin deep house cuts for the club!